Well, I honestly had moments when I regretted bowing to encouragement and applying to participate in an art show this summer at Pynelogs. Just ten days ago I had one painting completed and two more half done with the feeling that I'd never get them completed. Now one of them is complete and the other near to completion. I should even have time to complete two more before my mid August deadline. It's amazing the difference a few days can make!
I don't have pictures of them to post yet but hopefully will soon. Keep checking back.
Landscapes of the Rocky and Selkirk Mountains, Columbia Valley and Wetlands by emerging artist Susan Fahrni.
"Even if you only take a small step every day in a new direction, you will end up in a noticeably different place than if you hadn't moved an inch" http://www.susanfahrni.com
Contributors
Artist Statement
I love nature and I love to try to capture it on canvas. Everything I paint means something special to me, whether it’s a scene I’ve tried to capture before it disappears, a view that holds special memories, or a glimpse of a part of our valley that I want to share with others who might not otherwise have access to it. The places I paint are real and as I paint I am ‘there’ be it perched on a mountain ridge, sitting by a lakeshore or standing upon a tussock of grass in the wetlands.
I generally work from photos, however, for me, capturing the images in paint on canvas gives them an importance, value, and even permanence that I feel photography can not.
I begin a piece by drawing key shapes on the canvas then washing a thin layer of paint on to block in the major features. I then start working from the background making my way forward envisioning what is behind and hidden by each slope, tree, etc. before I paint it. For me this working in layers gives each scene its veracity and depth.
Sunlight and its effects fascinate me. I have always admired the stained glass of medieval Europe and I love the way the sun illuminates it and shares the coloured glow with the world below. It is a man-made tribute to God and the world He created. However, His work cannot be surpassed as sunlight gives life and purpose to the colours of the real world giving them an “unearthly” glow.
When my work is going well, I feel a sense of awe and wonder and a thankfulness that I have been allowed to capture and recreate our beautiful world. Having said that, I am not certain how it happens and feel that I’ve been witness to magic as the work paints itself having merely allowed me to mix the colours and hold the paintbrush.
As I work, in my mind I see the birds and insects, feel the warmth of the sun, the caress of a breeze, and hear the rustle of leaves, the buzz of insects, the chirp and call of birds. I am transported to whatever scene I am trying to capture.
I have come to realize that my art represents who I am: passionate, realistic, yet orderly and a stickler for detail, and very ‘down-to-earth’.
I generally work from photos, however, for me, capturing the images in paint on canvas gives them an importance, value, and even permanence that I feel photography can not.
I begin a piece by drawing key shapes on the canvas then washing a thin layer of paint on to block in the major features. I then start working from the background making my way forward envisioning what is behind and hidden by each slope, tree, etc. before I paint it. For me this working in layers gives each scene its veracity and depth.
Sunlight and its effects fascinate me. I have always admired the stained glass of medieval Europe and I love the way the sun illuminates it and shares the coloured glow with the world below. It is a man-made tribute to God and the world He created. However, His work cannot be surpassed as sunlight gives life and purpose to the colours of the real world giving them an “unearthly” glow.
When my work is going well, I feel a sense of awe and wonder and a thankfulness that I have been allowed to capture and recreate our beautiful world. Having said that, I am not certain how it happens and feel that I’ve been witness to magic as the work paints itself having merely allowed me to mix the colours and hold the paintbrush.
As I work, in my mind I see the birds and insects, feel the warmth of the sun, the caress of a breeze, and hear the rustle of leaves, the buzz of insects, the chirp and call of birds. I am transported to whatever scene I am trying to capture.
I have come to realize that my art represents who I am: passionate, realistic, yet orderly and a stickler for detail, and very ‘down-to-earth’.
Art Galleries in the Columbia Valley
Purchasing
To purchase any of the paintings shown in my blog, please email me at susan.fahrni@gmail.com
I also offer 5"x7" notecards of most of my paintings as well as a number of prints in either a 11"x14" or 8" x 10" format.
For more information as to which paintings are available in which format and for pricing, please email me at the above address.
I also offer 5"x7" notecards of most of my paintings as well as a number of prints in either a 11"x14" or 8" x 10" format.
For more information as to which paintings are available in which format and for pricing, please email me at the above address.
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