Susan Fahrni emerges from the Columbia Valley: A Hiccup

Artist Statement

I love nature and I love to try to capture it on canvas. Everything I paint means something special to me, whether it’s a scene I’ve tried to capture before it disappears, a view that holds special memories, or a glimpse of a part of our valley that I want to share with others who might not otherwise have access to it. The places I paint are real and as I paint I am ‘there’ be it perched on a mountain ridge, sitting by a lakeshore or standing upon a tussock of grass in the wetlands.
I generally work from photos, however, for me, capturing the images in paint on canvas gives them an importance, value, and even permanence that I feel photography can not.
I begin a piece by drawing key shapes on the canvas then washing a thin layer of paint on to block in the major features. I then start working from the background making my way forward envisioning what is behind and hidden by each slope, tree, etc. before I paint it. For me this working in layers gives each scene its veracity and depth.
Sunlight and its effects fascinate me. I have always admired the stained glass of medieval Europe and I love the way the sun illuminates it and shares the coloured glow with the world below. It is a man-made tribute to God and the world He created. However, His work cannot be surpassed as sunlight gives life and purpose to the colours of the real world giving them an “unearthly” glow.
When my work is going well, I feel a sense of awe and wonder and a thankfulness that I have been allowed to capture and recreate our beautiful world. Having said that, I am not certain how it happens and feel that I’ve been witness to magic as the work paints itself having merely allowed me to mix the colours and hold the paintbrush.
As I work, in my mind I see the birds and insects, feel the warmth of the sun, the caress of a breeze, and hear the rustle of leaves, the buzz of insects, the chirp and call of birds. I am transported to whatever scene I am trying to capture.
I have come to realize that my art represents who I am: passionate, realistic, yet orderly and a stickler for detail, and very ‘down-to-earth’.

Monday, March 18, 2013

A Hiccup

In preparing for the painting of the beaver and salmon I decided to test paint a small area. What a good thing that I did. It seems that the acrylic paint that we used to prime the wood is not allowing for a good adhesion and coverage of the art acrylics. Yikes.

Plan A was to try covering the primer with a thin coat of matte medium but that didn't seem any better at all.

Plan B was to mix some GAC 200 with the paint which is supposed to help the paint adhere to nonporous surfaces. Nope. If anything that made things worse.

Plan C is to cover the primed surface with gesso, let it cure overnight, and paint. Well, the test areas are painted with gesso and now to be patient.

Susan Fahrni emerges from the Columbia Valley

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Monday, March 18, 2013

A Hiccup

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